A couple of days ago, I watched Star Trek (2009) again, for the initial time since I saw it in the cinema over two Summers ago. This was a mistake. Maybe it was the spectacle - the large noises and flashing pictures - but I pretty enjoyed it as a cinematic knowledge. Even so, upon leaving the theatre I skilled a moment of Fridge Logic, but I soon let it go. This time, I can not.
There is no constant internal logic: do Star Trek's black holes destroy matter or enable time travel? Pick a single and stick with it. If it is each, then what causes the switch, and why? As far as the film is concerned, the result in is basically because the plot demands it. One more instance of that would be Spock's arbitrary choice to abandon Kirk on an ice planet. The purpose? Really, threefold:
1. An excuse for a further action beat: Kirk gets chased by monsters!;
2. For Kirk to meet Future Spock, who just happens to become living in a cave. It is okay although, because - as Future Spock explains - A Wizard Did It: a wizard named Destiny;
3. For Kirk to meet Scotty, who functions as another plot-device wizard, too as lame comic relief.
Talking of Scotty, what objective is he meant to serve? Effectively,play movie soundtracks, he's the comic relief, and his transporter expertise saves the day on two occasions. So, why is his character so redundant? Earlier in the film, Chekov is established as both comic relief and also a transporter whiz. What is the distinction? Why setup Chekov in such a way, only to bring in an additional character to take his spot?
Characters getting setup with no pay-off would be the theme of this film, and none is more frustrating than Kirk's (lack of) arc. We 1st see Kirk as a reckless, thrill-seeking child who borrows his step-father's car or truck. By the finish in the film,film download torrent, we see Kirk create into a reckless, thrill-seeking child who borrows his surrogate-father's starship... hang on a second! There's no character development; Kirk does not find out to temper his daring,buy movie phar lap, nor does he grow to be an incredible leader - he bluffs, blusters, and lucks his way by means of the film.
And Nero, the antagonist? Nicely, he's just an idiot. "Spock tried to save Romulus, but he failed, which justifies me destroying each planet linked with him. P.S. I am not going to warn Romulus of their fate one-hundred-and-fifty years in the future mainly because I'll be as well busy blowing things up with my Enormous LASER!" If you are going to make use of a revenge story,buy movie posters, make it convincing; make it relatable.
In Star Trek II,dvd downloader for mac free, Khan is the bad guy, but he no less than elicits a degree of sympathy; you receive a sense of what he's lost, and why - getting absolutely nothing left to live for - he dedicates himself to punishing the man who wronged him. Nero has selections at his disposal: he has the red matter, so could form yet another magic black hole, or he could warn his residence planet of the impending disaster. Instead, he holds Spock responsible for an incident that was beyond his manage. Does he think that Spock deliberately fluffed his rescue try? For that matter, how the hell is forming a black hole meant to stop a supernova (a supernova that threatens to destroy the galaxy? Wow, that must be a significant star)? How is no sun far better than exploding sun? Either way, Romulus is doomed.
But hey, it's a film: you're meant to leave your brain in the door,buy movie downloads, aren't you? No. Shut up.
I really feel dirty. I consider I need to watch The Wrath of Khan.
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